We used
to call today decoration day, for it was a time of placing flowers and flags on
the graves of America's war dead. Later it became know as Memorial Day to honor
all those who died in service to the country.
And
again this year we have new names and places to put the flowers and flags. The
greatness of democracy is that we acknowledge the value of dissent, discussion
and demonstration, but Memorial Day is not the time for that exercise. It is
the time for honoring the choice of service of so many, so young that have
crossed the eternal threshold to the light of another place.
In many
places today along with small town parades and family barbecues and flags
waving in the holiday breeze you will hear the somber, but clarion call of
taps.
Daniel
Butterfield an upstate New York businessman, with no musical training, who
became a General during the civil war, wrote taps.
Following
the Peninsular Campaign, the General's brigade was camped overlooking the James
River in Tidewater, Virginia. His troops were tired and as they settled in for
the night the bugler played "extinguish lights".
It's a
stuffy, un-inspiring, call with no emotion.
Hearing
the bugle that night, General Butterfield thought the final call of the day
should bring comfort and peace to his men. Scribbling on the back of an
envelope, the General wrote late into the night and the next morning he called
for his bugler. He listened to his notes being played and made a few minor
changes. He then ordered it to be played each night as the last call for his
brigade.
Even
though the term "taps" goes back to the 16th century, it soon became
connected to General Butterfield's final call.
Taps was
first sounded at a funeral in the civil war, when a Union captain was concerned
the usual rifle volley might spark an attack from a nearby Confederate army
encampment. He ordered "taps" played instead.
There is
no greater honor than remembering in public appreciation the final act of
service of others. Taps has become the prayer of sound for warriors past and
present.
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